[2] Donald Davidson, “Danto’s Action”, in Daniel Herwitz and Michael Kelly eds., Action, Art, History: Engagements with Arthur C. Danto, New York: Columbia University Press, 2007, pp. 6-16.
[3] Arthur C. Danto, Analytical Philosophy of History, Cambridge: Cambridge University Press,1965.
[4] Arthur C. Danto, Analytical Philosophy of Knowledge, London: Cambridge University Press,1968.
[5] John Rajchman and Cornell West eds., Post-Analytic Philosophy, New York: Columbia University Press, 1985.
[6] Nelson Goodman, Ways of Worldmaking, Indianapolis: Hackett Publishing Company, 1978.
[7] Arthur C. Danto, Nietzsche as Philosopher, New York: Columbia University Press,1965.
[8] Arthur C Danto, Sartre, London: Fontana Press, 1975.
[9] Arthur C. Danto, Narration and Knowledge, New York: Columbia University Press, 1985.
[10] Hayden White, Metahistory: The Historical Imagination in Nineteenth-Century Europe , Baltimore: The Johns Hopkins University Press, 1973.
[11] 从分析美学家的著述来看,“北京大学美学与艺术丛书”已出版有门罗•比厄斯利(Monroe Beardsley)的《西方美学简史》,即将出版的是纳尔逊•古德曼的《艺术的语言》和理查德•沃尔海姆(Richard Wollheim)的《艺术及其对象》。
[12] Arthur C. Danto, After the End of Art, Princeton: Princeton University Press, 1997.
[13] Arthur C. Danto, “Art After the end of Art”, in Arthur C. Danto, The Philosophical Disenfranchisement of Art.
[14] Arthur C. Danto, The Transfiguration of the Commonplace, Cambridge: Harvard University Press, 1981.
[15] Arthur C. Danto, “The Artworld”, in The Journal of Philosophy.
[16] Arthur C.Danto, “The Transfiguration of the Commonplace”, in The Journal of Aesthetics and Art Criticism, Vol.33, No. 2, 1974.
[17] Arthur C.Danto, The Abuse of Beauty: Aesthetics and the Concept of Art, Chicago: Open Court, 2003.
[18] Arthur C. Danto, After the End of Art, p.4.
[19] Andrew Light and Jonathan M. Smith (eds.), The Aesthetics of Everyday Life, New York: Columbia University Press, 2005; Yuriko Saito, Everyday Aesthetics, Oxford: Oxford University Press, 2007.
[20] 刘悦笛:《生活美学——现代性批判与重构审美精神》,合肥:安徽教育出版社2005年版;刘悦笛:《生活美学与艺术经验——审美即生活,艺术即经验》,南京:南京出版社2007年版。
[21] 刘悦笛:《中国美学与当代文化产业——在韩国成均馆大学的演讲》,《粤海风》2007年第 4期。
[22] 刘悦笛:《视觉美学史——从前现代、现代到后现代》,济南:山东文艺出版社2008年版。
[23] Arthur C. Danto, “Art After the end of Art”, in Arthur C.Danto, Embodied Meanings: Critical Essays& Aesthetic Meditations, New York: Farrar Straus Giroux,1994.
[24] 刘悦笛:《艺术终结之后——艺术绵延的美学之思》,南京:南京出版社2006年版。
[25] Donald Kuspit, The End of Art, Cambridge: Cambridge University Press, 2004.
[26] Arthur C. Danto, Beyond the Brillo Box, Berkeley: University of California, 1998.
[27] Hans Belting, Art History After Modernism, translated by Caroline Saltzwedel and Mitch Cohen, Chicago: University of Chicago Press, 2003.
[28] 王南湜、刘悦笛:《复调文化时代的来临——市场社会下中国文化的走势》,河北人民出版社2002年版。
[29] 李怀亮、刘悦笛主编:《文化巨无霸——当代美国文化产业研究》,广东人民出版社2005年版。
(原载《学术月刊》2008年11期。录入编辑:乾乾)